Performance Attempt #3
December 3 at 6 PM EST
Performance made collectively by:
Erik Nilson, Hyeree Ro, Aki Sasamoto, Pap Souleye, Lucas Yasunaga, with contribution by Id.Sus Tech
Conversations overheard:
Erik: Sound was good. Especially when Lucas was plucking over and over again to a crescendo. Perhaps more people can join in the running duet.
Lucas: The connection between the textural sound and the objects can be established early on to have a stronger presence.
Aki: What would be the effective backgrounds and costumes for an overlay?
Erik: Maybe 30% person 1, 30% person 2, 30% color and light? Can I be in a dark place with a light?
Hyeree: It was nice when surfaces were revealed when the tarps were pulled away.
Pap: You guys were connected in the section with objects being passed around. It was magical. I loved Felipe's sculpture.
Audrey: Yes, Felipe's model!
Hyeree: Attempt #1 was about connecting two locations. Attempt #2 was more about individual spaces. It felt more like a zoom frame, reflecting on this current situation.
Aki: An orchestra view can be featured as a thread in the next composition.
Pap: Like jazz. Now that we are all equally spread out in isolation, it will make sense to weave things that way, and have more continuity.
Audrey: Potential of solos and we can let those dive deeper into exploration.
Everybody: Let's keep the stopwatch.
Aki: The model can be Anthony Braxton's March.
Audrey: I cannot be there on the day of, due to my day job, but I would like to somehow contribute a conversation or a story. Making up the story about identities and people moving across boxes.
Hyeree: Nice to have a moment to have a connection between boxes. How about simultaneous happenings in different frames?
Aki: Shall we bring the back stage sound of our zoom communication?
Pap: Process is important. On that note, can we show the tech person?
Erik: My notion of the audience was hardly any. One person or a thousand, we have no idea.
Pap: But give it away!
Lucas: Perhaps I can be in the micro world.
Erik: Sound was good. Especially when Lucas was plucking over and over again to a crescendo. Perhaps more people can join in the running duet.
Lucas: The connection between the textural sound and the objects can be established early on to have a stronger presence.
Aki: What would be the effective backgrounds and costumes for an overlay?
Erik: Maybe 30% person 1, 30% person 2, 30% color and light? Can I be in a dark place with a light?
Hyeree: It was nice when surfaces were revealed when the tarps were pulled away.
Pap: You guys were connected in the section with objects being passed around. It was magical. I loved Felipe's sculpture.
Audrey: Yes, Felipe's model!
Hyeree: Attempt #1 was about connecting two locations. Attempt #2 was more about individual spaces. It felt more like a zoom frame, reflecting on this current situation.
Aki: An orchestra view can be featured as a thread in the next composition.
Pap: Like jazz. Now that we are all equally spread out in isolation, it will make sense to weave things that way, and have more continuity.
Audrey: Potential of solos and we can let those dive deeper into exploration.
Everybody: Let's keep the stopwatch.
Aki: The model can be Anthony Braxton's March.
Audrey: I cannot be there on the day of, due to my day job, but I would like to somehow contribute a conversation or a story. Making up the story about identities and people moving across boxes.
Hyeree: Nice to have a moment to have a connection between boxes. How about simultaneous happenings in different frames?
Aki: Shall we bring the back stage sound of our zoom communication?
Pap: Process is important. On that note, can we show the tech person?
Erik: My notion of the audience was hardly any. One person or a thousand, we have no idea.
Pap: But give it away!
Lucas: Perhaps I can be in the micro world.